View All

Catchphrase (2015) - 6’
for DJ and orchestra
commissioned by the New World Symphony

86’d (2014) - 11’
for countertenor and chamber orchestra
commissioned by Alarm Will Sound

Grand Central (2012) - 22’
for chamber orchestra, electronics, and video
commissioned by the San Francisco Conservatory of Music

Assembly Lines (2011) - 6’30”
for chamber orchestra
commissioned by the Detour New Music Ensemble

The Lunatic Fringe (2009) - 15’
for chamber orchestra and pre-recorded voices

Wind-Up (2007) - 8’
for orchestra
commissioned by the Cabrillo Festival Orchestra

View All

Flash Mob (2011) - 7’30”
for wind ensemble
commissioned by the Atlantic Coast Conference Band Director’s Association

Song of the Telegraph (2010) - 14’
for wind ensemble

ROMAN (2021-2022) - 80’
opera in two acts for four singers, string quartet, electronics, and video
music and libretto by Ian Dicke
commissioned by Synchromy with funding from the National Endowment of the Arts

View All Chamber View All Solo

All Star, But It’s… (2020) - 15’
for electric guitar, percussion, and electronics
commissioned by Miller || Phelps

Fake Music (2019) - 14’
for electro-acoustic ensemble and electronics
commissioned by the Paul Dresher Ensemble

Hit Subscribe (2018) - 15’
for three electric guitars, electronics, and video
commissioned by the Mobius Trio

Superhighway (2018) - 10’30”
for percussion quartet and electronics
commissioned by the Los Angeles Percussion Quartet

Walk Around You (2018) - 10’
for tuba and electronics
commissioned by a consortium directed by Chance Trottman-Huiet

The Future Made Clear (2017) - 11’
for vocal string quartet
commissioned by Invoke

User Agreement (2017) - 30’
for soprano, chamber ensemble, and spacialized audio
commissioned by the Digital Arts Center of the College of Arts and Architecture at The University of North Carolina at Charlotte

Latest and Greatest (2015) - 18’
for chamber ensemble and video
commissioned by the Barlow Endowment for Music Composition

Adrift (2014) - 14’
for early music ensemble, live electronics ensemble, and video
commissioned by the Vasa Museum

Unmanned (2013) - 10’
for string quartet and electronics
commissioned by the Friction Quartet

O Bury Me Not (2013) - 14’
for bass trombone, chamber ensemble, and electronics
commissioned by the New World Symphony

Straphanger (2012) - 8’
for tenor and baritone saxophones
commissioned by a consortium directed by Ogni Suono

Isla (2012) - 6’
for flute, vibraphone, and electronics
commissioned by the Peterson/Hayes Duo

Eight Oh Eight (2011) - 8’
for solo percussion and electronics
commissioned by a consortium directed by Adam Groh

Two Takes Three (2011) - 6’
for clarinet, violin, violoncello, and piano
commissioned by Redshift

Missa Materialis (2010) - 16’
for percussion quartet or trio
commissioned by line upon line and Owen Weaver

Musa (2010) - 8’
for violin, trombone, and electronics
commissioned by Molly Emerman and Steve Parker

Drill, Baby, Drill (2010) - 5’
for three saxophones and electronics
commissioned by the Sissy-Eared Mollycoddles

Snake Oil Salesman (2009) - 5’30”
for tenor, violoncello, bass clarinet, and drum set
commissioned by the Sissy-Eared Mollycoddles

Chapter One, Page One (2008) - 7’30”
for solo flute or soprano saxophone and electronics
commissioned by Daniel Buscher

Profiteering (2006) - 8’
for two bass clarinets
commissioned by Sqwonk

Telstar Loops (2021) - 14’
for piano and electronics
commissioned by Nadia Shpachenko

How Small I Feel (2020) - 1’
for melodica, toy piano, and piano
commissioned by Hocket

Counterpundit (2016) - 20’
for piano, electronics, and video
commissioned by Piano Spheres

Cowboy Rounds (2016) - 40’
for voice, piano, and electronics
commissioned by the Hellman Foundation

Postlude (2015) - 3’
for piano
written for David Conte’s 60th birthday

Déjà (2009) - 17’
for two pianos, four pianists
commissioned by Regina Myers

Get Rich Quick (2009) - 11’
for piano and electronics

White Parasol (2008) - 8’
for piano

Comforting & Familiar (2020) - 1’30”
for video
commissioned by line upon line

Never Odd Or Even (2018) - 5’30”
for video
commissioned by Franklin Gross in honor of Leonard Giles

Grand Stage (2013) - 8’
video (continuous loop)
commissioned by the New York Transit Museum